It’s Valentine’s Day in New Jersey—and a hooker is running from the mob. But if you think you know where Ponyboi is headed, think again. Blending crime, queerness, and surreal twists, the film marks a bold moment for intersex representation on screen. River Gallo leads a magnetic cast in a story that’s as unpredictable as it is emotionally charged. Our review dives into the film’s daring choices, standout performances, and where it falters.

The film dives into the life a woman living in an alternative reality called Trash Town when finds herself increasingly addicted to psychics and chasing cash through erotic labor to lift what she’s been told is a life-threatening curse. Sriram’s on-screen and behind the camera charisma crafts a narrative that is both unflinching and empathetic.

Burlesque legend Jo Weldon reviews The Last Showgirl, directed by Gia Coppola.

Bodies tear open, food curdles, and despair reigns: The Substance dissects beauty, femininity, and horror in a visceral, unflinching lens.

Contributing writer Katarina Quinn explores the sex worker representation in Sean Baker's latest film Anora.

Director's Cut debuted last night just in time for Halloween! Catch Lucy Hart as the sultry, cold-blooded Babs, slays the screen.

Maxine rolls off the tongue like a knife—shiny, hard, and metallic. Read Bridgett Magyar's review of Ti West's latest film: MaXXXine.

A modern epic that takes on loss of innocence, sexuality and its demonization, and the morally controlling instincts of men.

The good and not so 'good' impact of Sex and the City on NYC, fashion, dating and societal politics.

Our former cover star Vanniall celebrates her new reality TV show on Out TV. She’s also celebrating the launch of her new Youtube Channel.

‘Maman,’ the latest two-part film by director Vex Ashley and produced by Four Chambers, explores the mommy kink, which is highly taboo...

by KATARINA QUINN I had high hopes for Good Luck to You, Leo Grande ; the trailer portrayed a light-hearted, good faith vision of a sex worker and his client, upending tropes about what a sex worker can and should be. And for the first hour it mostly was, representing Leo as an intelligent, interesting man who is fulfilled by his work. Ultimately, though, while the film does tell a necessary story about an older woman’s sexuality, it relies on the same harmful tropes it promi

Writer Katarina Quinn explores The Menu and its representation of sex workers in its film.

Review of HBO's representation of SW in White Lotus by industry member Katarina Quinn