Burlesque legend Jo Weldon reviews The Last Showgirl, directed by Gia Coppola.

Bodies tear open, food curdles, and despair reigns: The Substance dissects beauty, femininity, and horror in a visceral, unflinching lens.

Contributing writer Katarina Quinn explores the sex worker representation in Sean Baker's latest film Anora.

Director's Cut debuted last night just in time for Halloween! Catch Lucy Hart as the sultry, cold-blooded Babs, slays the screen.

Maxine rolls off the tongue like a knife—shiny, hard, and metallic. Read Bridgett Magyar's review of Ti West's latest film: MaXXXine.

A modern epic that takes on loss of innocence, sexuality and its demonization, and the morally controlling instincts of men.

The good and not so 'good' impact of Sex and the City on NYC, fashion, dating and societal politics.

Our former cover star Vanniall celebrates her new reality TV show on Out TV. She’s also celebrating the launch of her new Youtube Channel.

‘Maman,’ the latest two-part film by director Vex Ashley and produced by Four Chambers, explores the mommy kink, which is highly taboo...

by KATARINA QUINN I had high hopes for Good Luck to You, Leo Grande; the trailer portrayed a light-hearted, good faith vision of a sex...

Writer Katarina Quinn explores The Menu and its representation of sex workers in its film.

Review of HBO's representation of SW in White Lotus by industry member Katarina Quinn